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DASO poster: results may vary

The DA Students Organisation released a campaign poster yesterday showing a topless black woman and white man in a loving embrace. It has provoked a huge response on Facebook and Twitter.

If you take the time to read through the Facebook comments, the way South Africans respond differently to the same image is quite interesting.

We can roughly divide the response into four categories:

  1. It’s cheesy and belongs in the 90s
  2. Its simplistic portrayal of race relations is offensive
  3. It’s beautiful, we need more of this
  4. It’s repulsive, you’ve lost my vote

Reaction number 4 might even be desirable for the DA. Perhaps it’s part of a plan to shake off some of the conservative supporters the DA gained since the VF+ and NP’s decline

I generated the word cloud above to show the most commonly used words in the 890 comments people have posted since yesterday.  Below are three parodies that I’ve whipped up, enjoy.

DASO poster parody

DASO poster parody

DASO poster parody

Big in SA

Sixto Diaz Rodriguez, a folk musician from Detroit, recorded two albums in 1970 and ’71. Sales weren’t great and neither were the reviews, so he gave up on his music career. He stayed unknown in America, but went platinum in South Africa.

In 1992 the Australian pop band, Indecent Obsession, released “Indio”. It was not as successful as their previous album and none of the singles made it into the Australian top 20. In South Africa, it was huge. The album reached the top of the charts and spawned hit singles like “Rebel with a cause”, “Indio” and “Kiss me”. The latter landed at number one and stayed there for 27 weeks.

Why were Rodriguez and Indecent Obsession big in South Africa but relative failures in their own countries? Was it mere chance, a local DJ’s influence or did they appeal to some odd facet of South African taste?

 

– Thanks to Staal,  who posed the question at Sunday lunch

 

Township art is a one-way street

It’s become common to find scenes of township life decorating the homes of affluent South Africans.  Do township residents do the same?   I haven’t seen any paintings of Constantia actuaries standing in their driveways, Waldorf kids at aftercare or Mrs. Ackerman carrying groceries to her Range Rover.

But maybe it’s time to depict those scenes. The robot artists could have a go at the daily lives of the wealthy, using their signature acrylic and tin style.  Let’s see who does it first.